August 2, 2018

Wander-writing

Posted in Creativity, First Drafts, flow in writing, freewriting, Ideas, organizing your writing, writing techniques tagged , , , , , , , , at 10:45 am by Rebecca Hein

Wander-writing, unlike freewriting, begins with a topic or idea, but there the structure stops. In wander-writing we start approximately where we do in a first draft, but instead of trying to produce a coherent piece, we let our subject take us wherever it goes.

I also do this frequently with any project I’ve already begun, but feel is going off the rails, even slightly. It’s an easy, relaxing way to explore my ideas and to tackle problems of organization or approach. After enough wander-writing for this purpose, I usually discover that my difficulties have resolved themselves, and I can easily complete whatever I was working on.

The supreme virtue of wander-writing is our liberation from any requirement to impose order on what we’re writing, to improve it, to stay on topic, or to revise. The rule is to let the subject lead us to what we are really thinking, or what we most want to write about it. This sweeps aside mental clutter and also deepens our writing—important benefits of letting our creative selves go.

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June 6, 2018

The magical current between you and your audience

Posted in Connecting with readers, Creativity, music and writing, Peak Experiences, performance, publication, Success tagged , , , , , , at 6:33 am by Rebecca Hein

Whether we are musicians or writers, we all want to spark a fire between us and our audiences. This has happened to me in both cello playing and writing, and these experiences are so exhilarating that I always want to repeat them.

Although there’s no formula, these events have elements in common—between music and writing as well as from one occurrence to another. All these episodes have been exciting, and I did nothing to induce them. This means I did not “play to the crowd.”

In playing to the crowd, we try to please rather than calling on our deepest passions to tell us what to write or how to perform. So, although I’ve learned not to try to please the audience, once that magical current begins to sizzle between us, I react spontaneously to continue the intensity of that live connection.

May 22, 2018

If writers are really the worst judges of their own work, how can we be sure of engaging readers?

Posted in Connecting with readers, Depth, Ideas, performance, publication, self-evaluation, Success tagged , , , , , , at 7:50 am by Rebecca Hein

When I finally quit trying to replicate one successful column, I settled back into writing-as-usual. For me that means getting in touch with my best ideas, developing them, and eventually producing finished pieces from them.

In this process, I’m not thinking about what will please readers, although I aim for clarity, simplicity, and good organization. My motive power is the passion I feel for the idea. With my very first column, I’d discovered that if I wrote from my deepest convictions, this reached to an equally deep place within a significant number of readers.

Thus, in the aftermath of “Compose Yourself,” I rediscovered what engages readers. However, the mystery of that episode remained with me because while writing “Compose Yourself,” I hadn’t been aware that its central idea came from an unusual level of depth or passion.

So I still haven’t figured out why that column succeeded, but recently I saw a possible reason why the next few columns didn’t reach as high.

March 13, 2018

Why do so many people sneer at writers? We seem to be fair game.

Posted in Creativity, Fiction Writing, music and writing, publication, Stages, Success tagged , , , at 9:30 am by Rebecca Hein

Long ago I learned not to tell most people that I liked to write. I loved it so much that I would probably have majored in creative writing, had the cello not grabbed me first. I became a dedicated hobby writer, and gradually certain projects took shape in my head until I knew I had to reserve at least some spare time for them.

Two episodes of jeering stand out in my memory from the time when I began to realize I was a serious writer, ambitious to get published and connect with readers.

The first revealed an ingrained, culturally sanctioned contempt for “unsuccessful” writers—those who work at their craft, want to be published, have a book manuscript or other large project to sell, and haven’t yet found a publisher. The second incident, much more shocking, showed that even another creative artist—a fellow musician—felt free to snipe and poke fun at what he imagined to be my foolish dreams.

March 6, 2018

A successful story; a flaw in the plot

Posted in Creativity, Fiction Writing, Flow, flow in writing, Harmony, Momentum in writing, music and writing, performance tagged , , , , , , , at 6:05 pm by Rebecca Hein

As we have seen, creative momentum can sweep the reader along, sometimes with such power that he or she doesn’t notice small faults in our plot or narrative. Since nobody can craft a story perfect in every technical detail, we need to generate this excitement to help our mission—to communicate the message that won’t leave us alone until we’ve at least tried to express it.

Dostoyevsky’s Crime and Punishment is a good example of a story with a powerful message, embedded in a plot with at least one rather large flaw. How can the story succeed when the author obviously painted himself into a corner and, to escape it, has stretched the actions of one minor character beyond what’s plausible?

This contradiction—a compelling story with a significant flaw that doesn’t diminish the power of the narrative—has sent me back to the book several times, trying to figure out how the author did it.

In my own writing, I want the state of mind that can fire a brilliant story. As with my cello playing, I know that if I achieve total absorption for myself and my audience, they will be more likely to forget my small errors.

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