June 25, 2013

Why Practice? Part Three

Posted in freewriting, Practice Writing, writing techniques tagged , , , at 1:27 pm by Rebecca Hein

Ease of execution; smooth flow; producing a great first draft—these skills are possible with practice. Not the “practice” of polishing a piece for publication or of working through a series of early drafts, but practice writing.

Put words on paper, or type them. The content is irrelevant because your state of mind is the key. You have to know the intrinsic value of basic writing, without regard to quality, form, or content.

No musician would ever deny the need for practice, and writers shouldn’t either. What seems to be throwaway time—so tempting to skip so we can get on to our real work—is the foundation of our craft.

June 14, 2013

Why Practice? Part Two

Posted in freewriting, Practice Writing, writing techniques tagged , , , , at 4:26 pm by Rebecca Hein

In all my years of playing concerts, recitals, and even wedding receptions, my most memorable encounters with the audience have occurred after the performance.

“I wish I had your talent,” someone always sighs while shaking my hand. “I don’t know how you make it look so easy.”

I do. Years and years of persistent work. Yet in the minds of these wistful people, there was no mechanism. There was no daily battle to play better in tune, to feel the sway of the beat, or to achieve beautiful tone. Instead, there was a vague idea: “talent.”

The mechanics of practice are the most important component of your writing. That means daily writing, for practice only. Not for brilliance, not to polish a draft, just to put words on paper.

You want to dazzle readers, and especially editors and agents, with the mastery of your craft. So don’t handicap yourself by neglecting practice. If you do, it’ll take you just that much longer to reach your goals.